Modern Warfare Campaign Levels How To Level Up

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Not only that, the whole story was just dumb as hell and not one of the missions remotely stood out from the other. His face looked like some kind of skin-robot mask, and the voice acting sounded like a guy who was counting out his earnings with each and every syllable. At least you got the remastered version of 'Modern Warfare' with it.Never mind it's got Kevin Spacey in it, the fact remains that having Kevin Spacey in a 'Call of Duty' game was just plain weird. Not only that, the clunky and flat dialogue from all the actors concerned - Kit Harington, that guy from 'Generation: Kill' and 'Mad Men', Dano from 'Love/Hate' - just adds to a misshapen part of the franchise. You pilot fighter jets in space, sure, but the control system never once goes above feeling like you're on a rail shooter. The storyline doesn't really make much sense, and the fact that it tries to take the game into space adds almost nothing to it.

Come to think of it, the only thing 'Black Ops III' had going for its single-player campaign was the 'Nightmare' scenario. About as dire as the 'Black Ops' shingle got, the third installment tried to rope in RPG elements with absolutely no thought to how it'd work in a fast-paced, first-person shooter environment and ultimately never added anything to it. When 'Black Ops 4' launched, leaving out a single-player campaign was probably the best thing they could have done with it.

Sure, the familiar elements were there, you knew where the story was headed and the action felt like it was working on a bigger, better scale. It's a shame, because there could have been something original here, by making it a more stealth-focused game than what ultimately turned out to be 'Black Ops'-lite.For what had come before in 'Call of Duty: Modern Warfare 2', the threequel felt like every other threequel you'd see at the cinema. Although there were some interesting and well-made missions - 'Federation Day' sticks out, for sure - there wasn't enough in 'Call of Duty: Ghosts' to make it memorable beyond this. You'd think with those kind of credentials, he'd be able to come up with something a bit more original and compelling that what went on here.

That the game opens with a brutal torture scene at a Japanese prison camp, after which follows you leading an assault on that same prison camp. They all worked great, but you could tell it was merely a case of rotating around the story rather than actively making something new.Compared to the heroics of the three 'Call of Duty' games that kicked off the franchise, 'World At War' seemed to focus in how truly brutal and ruthless World War II was. 'Call of Duty 2' and its Soviet campaign focused in on the battle for Stalingrad, something that 'Call of Duty: World at War' also did very well, albeit with better results. 'Call of Duty 3', for example, took the tanks gameplay system and crafted the Polish campaign around it, dumping players into the Battle of the Falaise Pocket. World War II games, by and large, took major battles from the era and funneled them as best they could into the game's mechanics. That said, it had its moments and the story - while riddled with inconsistencies and cliches - did build up to something close to a satisfying finish.'CALL OF DUTY' / 'CALL OF DUTY 2' / 'CALL OF DUTY 3'This might seem like a cop-out to lump the three original games together into one heading, but really, they're very much the same game with better graphics and richer mechanics than actively adding anything different.

The use of drones, viruses, and squirrel-suits were definitely interesting, but trying to draw influence from the 99% / 1% divide in society, the invasion of Panama in 1989, and rare-earth elements meant that you ended up with something pretty muddled. The storyline had an emotional punch to it, something that had been missing from previous games and was sorely needed to sustain it over the somewhat familiar mechanics in the game.As sci-fi elements go, 'Black Ops II' was probably as far as they should have pushed it. You could tell just by playing the single-player campaign that there was a renewed sense of focus and commitment to making it a better experience, rather than necessarily tacking it on and slapping a recognisable actor into the voice cast to get it over the line. 'World At War', however, went fully in.Far and away the best of the more recent 'Call of Duty' franchise games, 'WWII' felt like a return to form - not just because it went back to the setting from which the game began. Up until this point, none of the World War II games ever went quite so hard or dark, though they sometimes flirted with it.

Missions like 'All Ghillied Up' played beautifully and acted as a tense mid-point in the story, pausing the thrust of the story simply to give it some context and to allow players to experience the atmosphere and tension.In comparison to the other 'Call of Duty' single-player campaigns, 'Black Ops' really did try to play with the narrative i a way that hadn't been tried before in gaming. 'Modern Warfare' had all the energy and the excitement of a major blockbuster movie, and it's probably why it had the likes of Hans Zimmer contribute to the soundtrack. It wasn't just that World War II had become overused by every developer out there, but it also represented how the graphics and technology had moved forward to allow for much more fast-paced action. Bringing in real-world characters like Manuel Noriega, Oliver North (who actually voiced himself), and David Petraeus was a bold move, but again, it added a certain level of authenticity to the game that acted as a counterbalance to the sci-fi elements.Far and away, the best decision ever made in the 'Call of Duty' franchise was bringing it forward to today's age.

The mission is legendary, for both its controversy and for how terrifying it is. Not only that, missions like 'WMD' - which sees you a radar officer aboard a SR-71 Blackbird, and splits it down to ground level as you lead a covert assault - works wonderfully in that '60s spy-thriller vibe.To be honest, you could write an entire piece about one mission in 'Modern Warfare 2', and we're naturally talking about 'No Russian'. That the game was told entirely through interrogation - with you finding out everything as you go along - is a clever storytelling mechanic, but it's the quality of the voice-acting - Ed Harris, Gary Oldman, Sam Worthington - that really pushes it up another level.

After all, this mission places you as an infiltrator, meaning you have to watch them to do this so as to not blow your cover.You have to follow along, helplessly, as they murder unarmed people and police officers as they scream and run for cover. Interestingly, the mission doesn't fail if you don't shoot, but it does fail you if you try to stop it. You, along with Makarov and three other henchmen, enter Moscow's airport and open fire on a group of civilians going through security. 'No Russian', however, rubbed your nose right up against it in a way that was bound to cause controversy.For those unfamiliar with the game, here's the basic gist - the mission sees you a US soldier who has infiltrated a group of Russian ultranationalist mercenaries, led by a psychotic mass-murderer named Makarov.